9/19/2023 0 Comments Atom heart mother meaningDavid Gilmour (Guitarist, Vocalist) sings on here, using his signature blue-rock voice. Complete with power chords and cringe-worthy lyrics. The mood quickly changes to the most hard rocking song Pink Floyd has ever done, The Nile Song. Roger Waters (Bassist, Vocalist) sings on this song, losing the quirky, scowling voice he used on earlier Floyd songs and uses a mature, ominous voice. This outro is quite similar to the final part of the classic Pink Floyd instrumental A Saucerful of Secrets. More opens with Cirrus Minor, a spacy ambient song, which begins as a somber acoustic song and uplifts more with an organ outro. Most of the instrumentals so clearly intended for the movie that they don't stand on their own. They went for it and came up with this, half of it instrumental. The director asked Pink Floyd to make a soundtrack that wasn't their style and in a small amount of time. The actual movie bombed, just another "we're hippies, let's do drugs" 60/70s type of movie. More wasn't part of Pink Floyd's transition, it was seen more of a side project. Still, many songs off More were miles away from ASOS and Ummagumma. All four, were experimental, progressive and pretentious to a certain point. In that time Pink Floyd released their sophomore release (A Saucerful of Secrets), this soundtrack, the half live half solo project Ummagumma, and the unwanted child of the Floyd albums Atom Heart Mother (though I like it). 1968-1970 signaled a Floyd transition, members of Pink Floyd even called it a creative downtime. After Syd Barrett, original guitarist/singer/creative force, left Pink Floyd less than 12 months from the psychedelic classic debut Piper at the Gates of Dawn, the new Pink Floyd (Barrett replaced by Gilmour) were struggling to find a new way to go on. Why? Because Pink Floyd don't even regard as an actual Pink Floyd album, you'll notice More doesn't really fit in with the musical path Pink Floyd were taking at the time. This lack of focus means Atom Heart Mother will largely be for cultists, but its unevenness means there's also a lot to cherish here.If you only have Echoes: Best of, chances are you've never heard of this Floyd album. That it lasts an entire side illustrates that Pink Floyd was getting better with the larger picture instead of the details, since the second side just winds up falling off the tracks, no matter how many good moments there are. So, there are interesting moments scattered throughout the record, and the work that initially seems so impenetrable winds up being Atom Heart Mother's strongest moment. "Alan's Psychedelic Breakfast," the 12-minute opus that ends the album, does the same thing, floating for several minutes before ending on a drawn-out jam that finally gets the piece moving. Of these, Waters begins developing the voice that made him the group's lead songwriter during their classic era with "If," while Wright has an appealingly mannered, very English psychedelic fantasia on "Summer 68," and Gilmour's "Fat Old Sun" meanders quietly before ending with a guitar workout that leaves no impression. Then, on the second side, Roger Waters, David Gilmour, and Rick Wright have a song apiece, winding up with the group composition "Alan's Psychedelic Breakfast" wrapping it up. Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era. Appearing after the sprawling, unfocused double-album set Ummagumma, Atom Heart Mother may boast more focus, even a concept, yet that doesn't mean it's more accessible.
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